Lighting DesignerPeter Mumford

Tom Chambers

Theatre includes: recently, Old Times (Harold Pinter), Scenes from an Execution (NT), In the Republic of Happiness and Love and Information (Royal Court), The Dark Earth and the Light Sky (Almeida) and Bull (Sheffield Crucible). Also, Jumpy, Absent Friends, Much Ado about Nothing, The Lion In Winter, The Misanthrope, An Ideal Husband, Carousel, Fiddler on the Roof, Prick Up Your Ears and A View from the Bridge (West End), Heartbreak House (Chichester Festival Theatre), Our Private Life, Sucker Punch and Cock (also New York), The Seagull (also Broadway) and Drunk Enough to Say I Love You, Dying City (also set design) (Royal Court), A Taste of Honey and Betrayal (Sheffield Crucible), A Streetcar Named Desire (Guthrie, Minneapolis), Twelfth Night, All’s Well That Ends Well, The Reporter and The Hothouse (NT), set and lighting design for Mojo (Theatre-Rites), The Last of the Duchess (Hampstead) and Testament (Dublin Theatre Festival). Opera and dance include: Madama Butterfly, Faust, Carmen, Peter Grimes and 125th Gala (New York Met), Eugene Onegin (LA Opera), The Soldier’s Tale and Pierrot Lunaire (Chicago Symphony), Passion (Minnesota Opera), The Damnation of Faust, Lucrezia Borgia and Bluebeard’s Castle (English National Opera), La Cenerentola (Glyndebourne), Carmen (also set design) and Petrushka (Scottish Ballet), E=mc2 and Take Five (Birmingham Royal Ballet), Il trovatore (Paris), Fidelio, Two Widows, Don Giovanni and The Ring (Scottish Opera), Midsummer Marriage (Chicago Lyric Opera) and Eugene Onegin and The Bartered Bride (Royal Opera House). He is currently directing/designing a concert version of The Ring Cycle for Opera North. He co-directed and designed sets/lighting for L’Heure Espagnole and L’Enfant et les sortilèges (Opera Zuid). Awards include: Olivier Award (1995) for Outstanding Achievement in Dance and Olivier Lighting Award (2003), Knight of Illumination Award 2010 for Sucker Punch (Royal Court).

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